Saturday 19 December 2015

Why Anupam Kher and Arnab Goswami are hypocrites



On Friday evening, my gang of friends and I decided to go out for dinner. Parents being parents, bundled our siblings along with us too and we were then a bunch of boys-ages ranging from 10 to 23. I scanned the menu and casually ordered a beef dish that was part of the ‘today’s specials’ list. While I pondered over the fact that beef-eating Mumbaikars were not as fortunate as me, the youngest on the table stared at me with a bewildered look on his face. I asked him if everything was alright, and he said, “Actually, no. Aren’t you a Hindu?” I replied in the affirmative. He went on, “Aren’t you a Brahmin?” Not exactly knowing where this was heading, I said, “Yes. Why are you asking me this stuff right now?” He then asked innocently, “How can you dare to eat beef? Aren’t you scared you will be punished?”… I did not reply as I was stunned, confused with the various thoughts flooding my head. Though I knew he was asking me from the perspective of ‘God’ ‘punishing’ me, the past week or two were filled with debate and discourse on the beef ban, the Dadri lynching and the dissent of writers.

A couple of nights before that, I turn on the television and switch to Times Now. It’s the Newshour with Arnab Goswami that’s on and the debate that is titled (rather, hashtagged) #KherVsRebels. Firstly, the name of the subject being debated itself is highly unfair. The term ‘rebels’ make the writers seem like some sort of unified negative force that is indulging in illegal and anti-constitutional activity and a saviour with the surname ‘Kher’ now has the gumption to take them on. From the word go, the debate was highly tilted against the dissenting writers.

As of today, more than 40 writers have returned their literary awards in protest over the growing religious and political intolerance as well as the shrinking space for freedom in a democracy. It all started with Hindi writer Uday Prakash returning his Sahitya Akademi award protesting the silence of the body on the brutal assassination of Kannada writer MM Kalburgi. After him, it was Nayantara Sahgal and then, as some journalists put it, the trickle became a flood with a host of eminent artists returning their awards.

Theatre person and actor Anupam Kher, dismissing the writers, called their move ‘politically motivated’. He questioned their intentions and accused the writers of trying to discredit Prime Minister Narendra Modi. Let me tell you why he is a hypocrite.

Firstly, his wife Kirron Kher is a member of the BJP. He has also openly and actively supported the Modi campaign during the 2014 Lok Sabha elections. There is absolutely nothing wrong in that, but did anyone question his integrity at that point and accuse him of discrediting the opponents? Just because he claims to be ‘independent in his views’, must we believe that?

During the debate, he questioned why the writers did not do anything or return awards during several instances of violence and threats to freedom in the past, like the emergency, anti-Sikh riots, Muzaffarnagar riots, hounding of Taslima Nasreen, Salman Rushdie etc. Well, what exactly did Anupam Kher do during these incidents? Did he raise his voice or contribute in any way? If he does not need to explain his contributions, the writers certainly don’t need to as well. They might not have returned awards after those shameful events in the country’s history, but neither did they during other shameful events such as 2002 Gujarat riots, demolition of Babri Masjid, hounding of MF Hussain etc. So, as Shashi Deshpande rightly put it, ‘the question is not why now, but why so late?’

Did Kher question the motives of Arun Shourie, Swapan Dasgupta, Madhu Kishwar and all the other writers who rooted for Modi last year? Then why question another set of writers? The assumption that all right wingers are nationalist and the rest anti-national, hence they need not answer questions, is baseless. Why must anyone be beyond question? The point is not about being leftist or rightist. It is about being liberal, and all writers who are raising their voice today are liberals. In fact, even Dasgupta, Shourie and Kishwar are liberals on the other end of the ideological spectrum and believe in debate.

Now, let me explain Arnab’s hypocrisy. Firstly, all he did during the debate was indulge in ‘Whataboutery’. Author and filmmaker Piyush Jha brought back the limelight onto this rarely used term. Collins online dictionary defines it as ‘the practice of repeatedly blaming the other side and referring to events from the past’. The problem with this is, regardless of the merits of an argument, ‘whataboutery’ diminishes its effect by shifting focus. Like the Congress and BJP always juxtaposing 1984 with 2002, 2G with Yedyurappa, Kalmadi with Gadkari, Vadra with Raje, Arnab too lowered the level of the debate with a softer version of the usual tu-tu main-main that goes on.

Arnab also accused the writers of having an ‘agenda’ and hence questioned their ‘selective outrage’. As a journalist, Arnab, like all others, gets his news from sources. Now in journalism, most people believe that irrespective of who the source is, or what they seek to achieve by giving out certain information, it is the journalist’s job to check the facts behind the case. As long as it is factual and true, never mind the motive, a source’s lead is followed to get the story. Applying a similar logic, let us assume for a moment then that the writers did have an agenda. Irrespective of their motive, as long as what they are saying is true, it must be accepted.

Arnab and his channel often also take immense pride in being the first channel to break the news and the first to report from ground zero etc. The channel then goes on to boast about how all other channels followed their lead. So, the only charge against other channels is not that the story is false or based on loose facts, but that they brought it out later. Uday Prakash returned his award first condemning the Akademi’s silence. After Dadri, Nayantara Sahgal returned hers questioning the Prime Minister’s silence on the incident and the growing atmosphere of religious intolerance. This was followed by a host of others. So logically, one must ask why these writers needed Sahgal as a catalyst to speak out. Instead, Arnab questions the basis of their argument rather than the delay in response.

Returning awards are just one among many forms of protest. It must not be the yardstick by which dissent is judged. Many writers, artists and intellectuals have raised their voice on several occasions in different ways, be it any of the unfortunate events in India’s history, irrespective of who was in power. Writers are not a monolithic group who run a closed club with one way of thinking or one common ideology. Take the award returners itself as an example- there are people from several states, men and women, of all ages, some anti-BJP and some anti-Congress, some who were jailed during the emergency,  writing in various languages, poets, authors, theatrepersons, so on and so forth.

The media or the Government cannot dictate who should return an award and when. It is completely an individual choice. There are many intellectuals who haven’t returned their awards even though they fear the current polarisation in the country. There are even more who are speaking out against the current regime but haven’t received any awards. Therefore, judging based on the returning of awards as a benchmark is nonsensical. It’s the media’s problem if it highlights only award returns and not other forms of protest. There have been protest rallies and several meetings across the country but the media will debate only who returned an Akademi award.

With several Union ministers getting involved and making silly statements, literary luminaries like Vikram Seth and Salman Rushdie siding with the dissenters and the international media and literary community raising serious questions, a PR disaster is looming large over the Govt. The fact is, that the concerns of the artists are serious and not to be brushed aside. It is always writers who question the Government but now, it’s the opposite. Instead of turning the heat on them, casting aspersions on their integrity and trying to turn them into the villains, the Govt. must reach out, take them into confidence and assure everyone that the liberal-secular fabric of the nation will be safeguarded. If the Prime Minister himself can host the Bose family and promise a timeline for action, can’t he do the same for the artists as well?

Though the returning of awards is merely a symbolic gesture of trying to capture media attention, it is important to do so to bring the spotlight on the issue in question. They could have continued their protest through writings, rallies and using social media, but then neither the likes of Anupam Kher nor Arnab Goswami would care. At the end of this combative week, one needs a break from all the negativity and tension. I just switch the channel and tune in to India’s pride and national obsession, Bigg Boss, for some more shouting matches and outrage, which is almost as colourful and entertaining as our news channels. To bridge the gap, the show has now introduced a segment called ‘Bigg Boss debate’ hosted by Salman Khan.

Jai Hind!



CLIPS: My articles in the Times of India